Friday, October 25, 2019
Image Of Child Heros :: essays research papers
 Image of Child Heros      The image of a child hero or ââ¬Å"tricksterâ⬠ is seen in many cultures. This  kind of role can tell a lot about how a culture acts and reacts to things. The  idea of the child hero in stories written and told before the birth of Christ  probably reflect the peoples beliefs that the child is the future, and therefore  carries some sort of power or gift. For stories that were written after the  birth of Christ, the child could reflect the idea stated above, or it could also  be the peoples belief in an infant savior, that a child will make everything  right again.  Whether the story comes from before Christ or after, the one uniform  aspect about these stories is that they are present in every culture, all around  the world. The image of the ââ¬Å"tricksterâ⬠ is also very prevalent in the different  cultures. It is seen in many different fables and moral-based stories.  ââ¬Å"You cannot go against the Philistine, you are but a youth, and he has  long been a man of warâ⬠(Metzger 145). This is what King Saul of Israel said to  David when he proposed that he fight the Philistine warrior Goliath. The story  of David and Goliath is quite possibly one of the oldest child hero stories.  It was part of the Bible, in the Old Testament. In this story a young man named  David proposes to the king of Israel that he fight and attempt to kill Goliath,  the giant that had been plaguing Israel. The king agrees, however hesitantly,  and David goes on to slay the beast using just a slingshot. While this story  is not one that was made up, it still shows us that the ancient Hebrews  believed in the fact that a child, or in this case teen, has the will and  motivation to do the impossible.  Staying on the eastern side of the world, we will next see examples of  Russian stories. In the former Soviet Union, a lot of the time stories, books  and other types of art were hard to come by. ââ¬Å"In a broader sense, though, recent  years have witnessed genuine cultural enrichment, as Gorbachevs glasnost policy  permitted the works of previously forbidden writers, artists, and  cinematographers to become accessibleâ⬠(Grolier Multimedia). After the public was  able to get at the mass of stories that had been kept from them, there was even  more of an increase of books and other forms of art. The Russian people now had  much more of an incentive to write. ââ¬Å"In a certain village, not near, not far,    					    
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